NEP Deploys TFC Orchestration Platform at Eurovision 2025

Eurovision
(Image credit: Alma Bengtsson/EBU)

NEP Europe is utilizing technology and teams from across Europe for this year’s Eurovision Song Contest.

The company is the official media services provider for the event for the sixth year in a row.

To meet the demands of the two semifinals and Saturday’s Grand Final, NEP is employing equipment and crew from across its European network, including Switzerland, Sweden, the Netherlands, Germany, Finland, Belgium, and the U.K.

The delivery operation includes:

  • Main outside broadcast (OB) unit: UHD2;
  • Backup OB unit: UHD24;
  • Music mix truck: Music One with dual audio;
  • Technical Operations Center: Built on NEP’s TFC broadcast orchestration platform for EBU services and signal distribution;
  • 6 wireless RF cameras;
  • Augmented reality services;
  • 4 EVS servers;
  • 27 cameras, including six wireless RF cameras;
  • 40 NEP crew, with 780 working days onsite;
  • Delivering over 320 monitors around the venue;
  • Using over 60 kilometers of cable.

The implementation of the TFC broadcast orchestration platform means NEP can constantly monitor the entire contribution and distribution of all signals involved in Eurovision 2025 on a dashboard, the company said. That gives Eurovision 2025 a faster setup, increased flexibility and more sustainable and efficient resource deployment, NEP added.

“We’re incredibly proud to continue supporting the Eurovision Song Contest 2025 with our technical expertise and innovation,” said Lise Heidal, president of NEP Europe. “This event is not only a celebration of music and culture, but also a testament to what can be achieved when the best of European broadcast talent comes together. Every year, we push the boundaries of what’s technically possible in live production and this year is no exception.

“The deployment of our TFC platform has been a game-changer, allowing us to streamline signal management and reduce rigging and setup time dramatically. It’s this kind of software-defined flexibility that allows us to deliver complex live events with greater efficiency and reliability than ever before,” she said.

This article originally appeared on TV Tech sister brand TVBEurope.

Jenny Priestley

Jenny has worked in the media throughout her career, joining TVBEurope as editor in 2017. She has also been an entertainment reporter, interviewing everyone from Kylie Minogue to Tom Hanks; as well as spending a number of years working in radio. She continues to appear on radio every week and occasionally pops up on TV.